A talk coinciding with the re-publication of “England’s Hidden Reverse”, David Keenan’s study of the UK’s industrial underground. If pop is music’s daytime, a nine-to-five soundtrack to work and consume by, then noise and industrial music are its night, a dark dreamworld. Noise and industrial provide a cover encouraging dream, fantasy, experimentation and transgressive criminal activity, fostering perfect conditions for the interrogation and usurpation of control.